Two of London’s most exciting rising Latin stars, Sachellys and Kiko, have joined forces on their vibrant new single, “No Somos Nada.” Rooted in their shared Colombian heritage and London upbringing, the track masterfully blends UK drill with Latin influences, creating a sound that reflects the dynamic fusion of cultures that defines both artists. In this exclusive interview, we dive into the creation of the song, the personal connections behind the music, and the unique chemistry that makes this collaboration so special. Read on to discover more about this powerful anthem and the stories that shaped it.
What drew both of you to collaborate on ‘No Somos Nada’? Was this something you both envisioned early on in your careers?
I always knew I’d eventually collaborate with Kiko on something. We’d talked about it a few times, and had previously made unreleased songs together, but we wanted to make sure it was the right track – it had to feel authentic. NSN was that track for both of us. The blend of Spanish from two Colombians raised in the UK over a drill beat really captures who we are—British Latinos at our core.
Can you describe the chemistry you both bring to the track and how your longstanding friendship shaped the creative process?
I think growing up together really made our creative process flow naturally—nothing ever felt forced or awkward. From recording the song to creating content for our pre-release campaign and even being on set together, everything was filled with banter, respect, and fun. So, I’d say that’s the chemistry we bring to the track.
‘No Somos Nada’ blends UK drill with Latin influences. How did you decide on this unique fusion, and what challenges did you face during production?
NSN was kind of a ‘happy accident.’ I hadn’t planned on releasing it at first—it was just something I decided to experiment with when Esco showed me the beat in the studio. But one thing I was sure about during that session was that I wanted to sing in Spanish over a drill beat.
It ended up sounding great, but it still felt like it needed something more because drill isn’t necessarily my go-to genre. That’s when Kiko came in and really brought it all together with his verse and flow, as this is definitely his area.
The production team, Esco1sst and DZeus, have worked with major artists like NBA YoungBoy. What did they bring to the table, and how did their vision align with yours?
It was like one of my first ever sessions with Esco, who I think was also exploring his sound. In addition to producing, he played a role in the writing process, which is how I like to collaborate with all the producers I work with—we approach it as a team to make sure the song reaches its full potential.
At a certain point, Esco handed the song over to D-zeus, who added some final touches to the production and took care of the mixing and mastering. They’re also both Colombian Londoners, so they really understood the concept and loved the song. Everyone involved in the process shared one vision: to make the song sound its absolute best.
The music video directed by Reece Selvadorai is set to release soon. What visual story are you aiming to tell, and how does it complement the song’s emotional depth?
The video really captures the song’s vibe. Since it’s a breakup track, you’ll see a lot of blues and purples when we’re both on screen, which I feel really reflect the emotions we express in the lyrics. From the female perspective, it’s all about that ‘I’m over it and ready to move on’ energy, so I played my verse with a bit of distance, while Kiko took a more introspective approach.
The sets Reece and his team put together for each part of the song really aligned with the moods and lyrics at every stage. Then everything comes together in a full-angle performance shot of us, just vibing and enjoying the moment.
Both of you have deep personal connections to this track. What emotions do you hope listeners feel, and how do you think it will resonate across different communities?
I’m confident that people will resonate with the song on a lyrical level—everyone has gone through a breakup at some point, and both Kiko and I express emotions in our lyrics that many will relate to. It’s a nostalgic track that regardless of the language, whether you speak one, both, or even none, you can still feel what we’re saying, and that’s the beauty of music and melodies.
Beyond that, I also hope that those who share a similar background to ours—whether they’re immigrants who moved to a new country young like we did or other UK-Latinos—will connect to it from that angle too. Ultimately, the song is about more than just the lyrics and sentiment; it’s also the story of two artists navigating this industry, trying to stay true to themselves and their cultures. I hope people can relate to that experience too.
Sachellys, with your debut EP on the horizon, what can fans expect in terms of sound and storytelling?
I’ve spent years trying to figure out what my “sound” is, and I think a lot of that search was tied to my identity crisis growing up, especially as a Latina in London trying to find my place in the music industry.
But through the process, I’ve come to realize that being authentic means letting go of my ego and expectations and just making music that I genuinely enjoy, and that’s a spectrum of genres because that’s what I’ve been exposed to; you can’t box me. That’s what “my sound” really comes down to—music that resonates with me and that I love listening to.
My debut EP captures that—it’s music I enjoyed creating, both with my peers and on my own, in my room with my guitar and home studio setup, where I really dove into production as well. I feel like, in a way, I had to return to my roots in R&B to rediscover my musical spark and create music that I truly connect with.
At the same time, I’m in a more mature place in my life now, with new experiences that have added a lot more depth to the songwriting and storytelling. I’ve really taken my time with this project, and I hope people can relate to the themes I explore in each song while also simply enjoying the music itself.
Are there any upcoming collaborations or projects you’re excited to share with fans following ‘No Somos Nada’?
In addition to my debut EP, I’ve got some singles I’m hoping to release before that. There’s also a small feature on Jord‘s new mixtape coming early next year. As a true Londoner, I’m keen on collaborating with the London scene, as that just comes natural to me, and I think it’s important to not just stay in the Latin world.
A collaboration with Milena Sanchez is also in the works; she shares both worlds with me, and I think it’s powerful when Latin women come together. Who knows, there might be even more surprises in store. I’m ready to work and collaborate with artists that make sense to me and my sound.
What song or artist from your childhood still influences your music today?
I still consider Alicia Keys one of my biggest influences, but not so much musically anymore, as my sound has evolved away from what initially drew me to her. Yet I still bring the soul and R&B elements to my music. What I also really admire about her now is the way she carries herself and her overall style. Her 90s look—those braids and double denim—definitely resonate with me!
Describe ‘No Somos Nada’ in three words that capture its essence.
Cultura, Passion, Raw.
Thank you so much, Sachellys and Kiko, for sharing your insights and the story behind ‘No Somos Nada.’ It’s clear that this track is a true reflection of your unique blend of cultures, and it’s exciting to see how you’re both pushing boundaries in the UK Latin music scene. We can’t wait to hear what you both have in store next!
